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Anne Stone Anne Stone is a Canadian writer, teacher, and editor.〔http://robmclennan.blogspot.ca/2007/11/12-or-20-questions-with-anne-stone-anne.html〕 ==Biography== Born in Toronto, Ontario, Stone now lives in Vancouver. She studied in Montreal at Concordia University, where she received a Bachelor of Arts in English Literature (1994) and at McGill University, where she earned a Master of Arts in English Literature (1997). Her thesis consisted of an experimental novel (“De’ath Sound”) and a critical afterward;〔http://digitool.library.mcgill.ca/R/?func=dbin-jump-full&object_id=26709&local_base=GEN01-MCG02〕 the short poetic novel, retitled ''Hush'', was published by Insomniac Press in 1999. In 2005, Julie Boulanger wrote her thesis on this novel (“What Language is This?: A Study of Abjection in Djuna Barnes's ''Nightwood'' and Anne Stone's ''Hush''.)〔http://books.google.ca/books?id=yBdGMAEACAAJ&dq=julie+boulanger〕 While set in Mississauga, it has been noted that her third novel, ''Delible'' (Insomniac Press, 2006), is reminiscent of the subject of missing women in Vancouver.〔http://rabble.ca/books/reviews/marked-women〕 ''Delible'' was named a book of the year by the ''Globe and Mail'' (29 Dec. 2007) and long-listed for the Relit Award.〔http://therelitawards.blogspot.com/2008/04/2008-relit-longlist.html〕 Together with activist and teacher Amber Dean, Stone co-edited a special issue of ''West Coast Line'' on the issue of murdered and missing women (2007).〔http://books.google.ca/books/about/Representations_of_Murdered_and_Missing.html?id=JmapMQAACAAJ&redir_esc=y〕 Between 2007 and 2010, Stone co-edited a fiction imprint at Insomniac Press (Serotonin/Wayside Editions). She teaches English and creative writing at Capilano University. In 2000, Stone alleged that she ghostwrote the majority of Nega Mezlekia's award-winning memoir ''Notes from the Hyena's Belly''. Mezlekia responded that Stone's role in the book's publication was strictly that of a copy editor, and sued Stone for defamation.〔()〕 Their claims and counterclaims became a significant subject of debate in the Canadian press about the relationship between authorship and editorship of a creative work.〔()〕
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